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07-15-11 Footnotes
Show 294: tUnE-yArDs, Jim's DIJ
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1 The music industry now has a powerful new ally in its long-running fight against illegal file sharing: your friendly neighborhood internet service provider. After years of on and off negotiation with the RIAA and MPAA, the major U.S. ISPs – AT&T, Verizon, Cablevision, Comcast, Time Warner – have voluntarily agreed to police users they suspect of downloading illegal material. They will “police”them, or as the ISPs are spinning it, “educate” them. Illegal downloaders will receive a series of warnings before their internet connections are slowed to a crawl. U2 manager Paul McGuinness, an early advocate of ISPs taking on greater responsibility for online piracy, applauded the move. But Greg is wary. Now that ISPs have taken up the anti-piracy banner, will the U.S. government be next?

1b The music industry has yet another reason to celebrate. For the first time since 2004, music sales are up. (And sure, only by 1%, but still!) While sales by superstar acts like Adele and Eminem did their part, the real surprise was the spike in catalog sales. Seems people just can’t seem to get enough of that Credence Clearwater Revival.

2 tUnE-yArDs’s second album w h o k i l l made it onto both Jim and Greg’s lists of the Best Albums of 2011 (so far). This week, Jim and Greg are in the studio with the creative force behind the band, New England native Merrill Garbus. Garbus has come a long way since her days as a professional puppeteer, when she performed for modest crowds with the indie act Sister Suvi and lived with her parents. This month the Oakland-based musician will be one of the most anticipated acts at the Pitchfork Music Festival. Like one of her early influences, Paul Simon, Garbus incorporates plenty of African polyrhythms and vocal textures into her music, and she doesn’t shy away from discussions about cultural appropriation. She also takes huge risks as a live performer, looping her voice, drums, and ukulele onstage to become a veritable one-woman band. She performs the feat feat live in the studio, taking Jim and Greg through the beginning of “Powa.” With the backing of bassist Nate Brenner and a hefty horn section, she also performs “Doorstep” and the band’s breakout song “Bizness.”

3 Jim riffs on tUnE-yArDs’ love for African rhythms. It reminds us of yet another Western band to put African beats to its own creative use. This week, it’s the British new wave group Bow Wow Wow. Malcolm McLaren and Vivienne Westwood created the band in 1980, but were out a lead singer until they discovered 14-year-old Annabella Lwin working at a dry cleaner and singing along to Stevie Wonder. Jim’s pick, “C30 C60 C90 Go!” makes ample use of the then-popular “Burundi Beat,” a rhythm cribbed from a French anthropologist’s recording of native Burundian percussionists. Tracked down years later, the original Burundian musicians singled out Bow Wow Wow for special props. Sure they stole the beat, but they also gave it a new spin.

Songs Featured in Show #294
Kraftwerk, “Home Computer,” Computer World, Phantom Records, 198
tUnE-yArDs, “Gangsta,” W H O K I L L, 4AD, 2011
tUnE-yArDs, “Killa,” W H O K I L L, 4AD, 2011
tUnE-yArDs, “Doorstep,” W H O K I L L, 4AD, 2011 Live on Sound Opinions
tUnE-yArDs, “Es-so,” W H O K I L L, 4AD, 2011
tUnE-yArDs, “Bizness,” W H O K I L L, 4AD, 2011
tUnE-yArDs, “Riotriot,” W H O K I L L, 4AD, 2011
tUnE-yArDs, “Powa,” W H O K I L L, 4AD, 2011 Live on Sound Opinions
tUnE-yArDs, “Bizness,” W H O K I L L, 4AD, 2011 Live on Sound Opinions
tUnE-yArDs, “My Country,” W H O K I L L, 4AD, 2011
Bow Wow Wow, “C30, C60, C90, Go!,” Girl Bites Dog, EMI, 1993
Kraftwerk, “The Telephone Call,” Electric Café, Elektra, 1986
Ministry, “Stigmata,” The Land of Rape and Honey, Sire, 1988
John Mayall & the Bluesbreakers, “Hideaway,” Bluesbreakers with Eric Clapton, Audio Fidelity, 1966
Lucky Dube, “Money Money Money,” Soul Taker, Shanachie, 2002
Beyoncé, “End of Time,” 4, Columbia, 2011

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