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Like every scholarly work, Sound Opinions has provided footnotes to help you navigate through the show.

Because let's face it--sometimes even we have no idea what Jim and Greg are saying.
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09-16-11 Footnotes
Show 303: Bootsy Collins, Review of Lindsey Buckingham
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1 It seems like just yesterday that the British first invaded rock and roll. But, many early recordings by The Beatles, The Rolling Stones, and The Who are so old they were about to fall into public domain. However, the European Union just extended that copyright law from 50 years to 70 years, giving record companies another two decades to collect big revenues. It’s being called Cliff’s Law after pop singer Cliff Richard, but other artists don’t think the law will benefit them. Here in the U.S., copyright law allows for artists to reclaim ownership of their work after 35 years. So, many American musicians who made recordings in the 1970s, including Bob Dylan, Tom Petty and Don Henley, are able to file claims. But the big four labels are heavily resisting, claiming that performers were mere employees doing “work for hire,” and thus have no rights.

2 In other news across the pond, U.K. culture secretary Jeremy Hunt has called on search engines, such as Google, to bar links to websites with pirated material. You expect these kind of restrictions in China, but not necessarily in England. Hunt has rejected suggestions that this is "an assault on the 'freedom' of the internet,” but for Google that’s exactly what it is. They said they already work with copyright owners to remove infringing materials. So it looks like legislation is the next step.

3a Time to get funky. Jim and Greg are joined by Bootsy Collins to go through the history of Funk. The heart of the genre is the rhythm. When James Brown wanted to “give the drummer some,” he meant it. In addition, as funk grew so did the development of the black band. Previously, as with doo wop groups, the emphasis was on the singer. Bootsy’s own career as a singer, songwriter and bassist mirrors the development of funk. After performing in the Pacemakers with his brother Catfish, both Collins men joined James Brown’s backing band The JB’s. Bootsy credits James Brown with teaching him the concept of “The One,” and they collaborated on funk classics like "Get Up (I Feel Like Being a) Sex Machine" and "Super Bad.” His next move was to Detroit to work with George Clinton on Parliament and Funkadelic, and he later formed his own group, Rubber Band. His latest album is aptly named The Funk Capital of the World.

3b To cap off the segment, Jim and Greg talk about two significant funk tracks. Greg plays “It’s Your Thing,” by The Isley Brothers, featuring virtuosic bass playing by a 16-year old Ernie Isley. Jim goes to Bootsy’s home state and plays The Ohio Players’ song “Funky Worm.”

4 ‘70s rock act Fleetwood Mac continues to tour today, but longtime member Lindsey Buckingham still makes room to record on his own. And that can be taken literally—Seeds We Sow is essentially a one-man-band record full of lush orchestrations, guitar and percussion. But, in contrast to the beautiful songs are the dark and weird lyrics. Greg hears that not all is right with Buckingham, but plenty is right with Seeds We Sow. He says Buy It. Jim is the first to admit he is not a Fleetwood Mac fan. For him there was too much rock excess. But he loves that Buckingham lets his freak flag fly solo, and is a convert on this album. He agrees, double Buy It.



Songs Featured in Show #303
Cliff Richard, "We Don't Talk Anymore," Rock 'n' Roll Juvenile, EMI, 1979
Iggy & The Stooges, "Search and Destroy," Raw Power, Sony, 1973
James Brown, "Cold Sweat Part 1," Papa's Got a Brand New Bag, Polydor, 1965
The Pace-Setters, "Freedom and Justice," Rare Funk from Deep in the Crates, BGP, 2000
James Brown, "Get Up (I Feel Like Being a) Sex Machine," Sex Machine, Polydor, 1970
James Brown, "Super Bad," Revolution of the Mind, Polydor, 1971
Dyke & The Blazers, "Funky Broadway, Part 1," So Sharp!, Kent, 1983
Sly & The Family Stone, "Thank You," Anthology, Epic, 1981
Parliament, "Up For The Down Stroke," Up For The Down Stroke, Casablanca, 1974
Parliament, "One Nation Under a Groove," One Nation Under a Groove, Priority, 1978
Funkadelic, "Mothership Connection," Live 76-93, Sequel Records, 1994
Funkadelic, "Can You Get To That," Maggot Brain, Westbound, 1971
Funkadelic, "Hit It And Quit It," Maggot Brain, Westbound, 1971
Bootsy Collins, "Bootzilla," Bootsy? Player of the Year, Warner Bros, 1978
Bootsy Collins, "Stretchin' Out (In A Rubber Band)," Stretchin' Out Bootys's Rubber Band, Warner Bros, 1976
Bootsy Collins, "Don't Take My Funk," Tha Funk Capital of the World, Megaforce, 2011
The Isley Brothers, "It's Your Thing," It's Our Thing, Rhino, 1969
The Ohio Players, "Funky Worm," Pleasure, Westbound, 1974
Curtis Mayfield, "Superfly," Superfly, Rhino, 1972
Lindsey Buckingham, "Seeds We Sow," Seeds We Sow, Mindkit Records, 2011
Lindsey Buckingham, "That's the Way Love Goes," Seeds We Sow, Mindkit Records, 2011
Lindsey Buckingham, "She Smiled Sweetly," Seeds We Sow, Mindkit Records, 2011
DJ Mehdi, "Boggin'," Lucky Boy, Because, 2006
Phoenix, "Long Distance Call," It's Never Been Like That, Virgin, 2006
Metallica, "Nothing Else Matters," Metallica, Electra, 1991
Metallica, "One," And Justice For All, Electra, 1988
Red Hot Chili Peppers, "Californication," Californication, Warner Bros, 1999
Jad Fair and Daniel Johnston, "First Day At Work," Jad Fair and Daniel Johnston, 50 Watts, 1989
Bob Marley, "Night Shift," Rastaman Vibration, Island, 1976


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