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06-08-12 Footnotes
Show 341: Electronic Dance Music, Review of Garbage

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1 Last week Justin Bieber’s fans sold out his entire North American tour in under an hour (that’s an average of 1,000 tix a second). Beliebers indeed. If you’re asking how this is even possible, you aren’t alone. NPR talked to concert industry expert Gary Bongiovanni, who says, as Jim puts it, “the game is rigged.” Once the scalpers, fans clubs, credit card companies and radio stations have gotten there cut of tickets (whether through pre-sales or, in the case of scalpers, by using bot programs to “cut the line”) Bongiovanni says there can be less the half the stated number of tickets actually on sale to the public. If you’re wondering why you can’t get tickets to your favorite act, Greg says, this is why.

2 Robert F.X. Sillerman’s favorite artists are Bob Dylan and Paul Simon, but lately the entertainment mogul’s been in a dancing mood. The man who helped create Clear Channel by buying up radio stations and concert venues is investing in electronic dance music in a big way. Starting with Louisiana’s Disco Productions, Sillerman has started buying up regional dance music promoters, with the intention, Jim supposes, of selling the genre’s collective neon-tinted audience to advertisers. He says it’s just the latest example of the corporatization of this booming corner of the music industry. Speaking of which…

3a EDM – electronic dance music – has exploded over the past decade in Europe and the United States. But if names like Skrillex, Tiesto, Deadmau5, and David Guetta mean nothing to you, never fear. Jim and Greg have brought in Spin’s Philip Sherburne, author of the Control Voltage blog, to offer a primer for the un-initiated. They kick of the conversation with a discussion of the genre’s recent evolution: from the short-lived nineties rave scene with its anonymous DJs spinning in dark rooms, to the audio/visual spectacles presided over by celebrity DJs that we see today. A new emphasis on showmanship, and the adoption of dub step’s aggressive, bass-heavy beats have won superstar producers like Skrillex, Tiesto, and Rusko a huge, youthful following says Sherburne, effectively making EDM the new stadium rock. But he’d also suggest keeping your eye on the up-and-comers, artists like SBTRKT, Four Tet, and Caribou.

3b Wrapping things up, Jim and Greg put the new artists we’ve heard in historical context. After all, as Jim says, covering dance music can give you déjà vu. Greg reminds us that todays EDM producers are following in the footsteps of disco artists like Giorgio Moroder, Chicago house and techno musicians, Kraftwerk, Aphex Twin, Fatboy Slim, and - dare we say it – Brian Eno.

4 It’s been awhile since we heard from Garbage – seven years in fact. Now the alt-rockers are back with a new studio album, Not Your Kind of People. At this point, Jim points out, Garbage is a nostalgia act. They first made a splash in the mid-nineties, convincing grunge kids to don Goth makeup and get out on the dance floor with singles like “Stupid Girl,” and “Only Happy When It Rains.” Some might say Garbage was also a cash-in project, with lead singer Shirley Manson and alt-era producers Butch Vig, Duke Erikson, and Steve Marker content to ride the grunge wave. But even Jim admits, you couldn’t help tapping your foot to those singles. What has Garbage got for us in 2012? According to Greg, Not Your Kind of People offers singles just as good as any Garbage recorded back in the day. But after a seven-year hiatus, that’s not enough. He never was much of a fan of Garbage albums, and that, along with the band’s sound, hasn’t changed. Jim agrees. Shirley Manson is still a compelling front woman, and who couldn’t use a little goth dance music in their life? But ultimately, this is a Burn it album.

Songs Featured in Show #341
Justin Bieber, “Boyfriend,” Believe, Island, 2012
Men Without Hats, “Safety Dance,” Rhythm Of Youth, Statik,1982
Skrillex, “Ruffneck (Flex),” More Monsters and Sprites EP, Big Beat Records/Atlantic, 2011
The Prodigy, “Firestarter,” Fat of the Land, Maverick, 1997
David Guetta, “When Love Takes Over (featuring Kelly Rowland),” One Love, Astralwerks, 2009
LCD Soundsystem, “Losing My Edge,” LCD Soundsystem, Capitol, 2005
Showteck, “Generation Kick Bass,” Generation Kick Bass, Dutch Master Works, 2009
Justin Martin, “Ruff Stuff”,” Ghettos & Gardens, dirtybird, 2012
Skrillex, “First of the Year (Equinox),” More Monsters and Sprites EP, Big Beat Records/Atlantic, 2011
Benga, “Skank,” Skank, Big Apple, 2002
Caspa, “Dub Warz,” Cockney Violin, Dub Police, 2006
Borgore, “Act Like A Ho!” The Filthiest Hits…So Far, Sumerian, 2011
Rusko, “Be Free,” Songs, Mad Decent / Downtown, 2012
David Guetta, “Crank it up (Feat. Akon)” Nothing But the Beat, Capitol, 2011
Deadmau5, “Sofi Needs A Ladder,” 4x4+12, Ultra, 2010
Tiesto, “Maximal Crazy,” Maximal Crazy, Musical Freedom, 2011
Diplo, “Favela on Blast,” Favela on Blast, NA, 2004
John Talabot, “Destiny (feat. Pional),” Fin, Permanent Vacation, 2012
SBTRKT, “Hold On,” sbtrkt, Roughtrade, 2011
Beat Pharmacy, “Hootin’ & Tootin,” Inside Job, Throne of Blood, 2012
James Zabiela, “Jamelia (Remix)”
Kraftwerk, “Autobahn,” Autobahn, Vertigo, 1974
Garbage, “Blood for Poppies,” Not Your Kind of People, STUNVOLUME, 2012
Garbage, “I Hate Love,” Not Your Kind of People, STUNVOLUME, 2012
Lou Reed, “New York Telephone Conversation,” Transformer, RCA, 1972
Chic, “Le Freak,” Le Freak, Atlantic, 1978
Moby, “Find My Baby,” Play, V2, 1999
Jack White, “Fly Farm Blues,” NA, Third Man Records, 2009
Screaming Females, “Rotten Apples,” Ugly, Don Giovanni, 2012

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