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Like every scholarly work, Sound Opinions has provided footnotes to help you navigate through the show.

Because let's face it--sometimes even we have no idea what Jim and Greg are saying.
Songs featured in this episode
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11-29-13 Footnotes
Show 418: The Best Songs About the Music Business, Warlocks Review




1 You might have seen this viral video by San Francisco-based toy company Goldieblox featuring a feisty reinterpretation of Beastie Boys song “Girls.” The start-up is now enmeshed in a legal dispute over its right to use the song. The bizarre part? GoldieBlox started it. The company filed a pre-emptive strike against the Beasties claiming that the video, as a parody, constitutes fair use. (It reminds Greg of a similar lawsuit that Robin Thicke and co. filed this summer. The Beastie Boys responded: “As creative as it is, make no mistake, your video is an advertisement that is designed to sell a product.” It looks like you gotta fight for your right to parody…

2 As GoldieBlox realized, a good ad soundtrack can really break a product (or a song for that matter) into the public consciousness. But these days, songs used in ads are often separated from their products, thanks in large part to Shazam, an app that lets smartphone users identify and buy songs they hear on TV, the radio or out and about. Now Shazam is teaming up with media-services giant Mindshare on a program called Audio+ that aims to really beef up the association of products and music. The details will be announced next week, but this news already has Jim questioning: where do we draw the line between art and commerce?

3 Admittedly, Greg has never really “gotten” the whole Robbie Williams phenomenon. But now the British pop star has released the 1000th number one album in the U.K. Back in 1956 that Frank Sinatra's Songs For Swingin' Lovers! became the Brits’ first #1. Now Robbie Williams's Swings Both Ways has become the 1,000th.

4 Rock and roll is all about railing against the “man.” And for musicians, there’s no bigger man than the record business. Some songs celebrate music’s great A&R men and women or label heads. Many more skewer the suits. Here are Jim and Greg’s favorites:

Jim
Pink Floyd, "Have a Cigar"
Public Enemy, "Caught, Can I Get a Witness"
Patti Smith's cover of "So You Wanna Be a Rock 'n' Roll Star"
Local H, "Laminate Man"

Greg
Graham Parker, “Mercury Poisoning”
Aimee Mann, “Nothing is Good Enough”
Blackalicious, “Deception”
Sex Pistols, “E.M.I.”

5 Psychedelic rockers The Warlocks have undergone numerous shakeups and setbacks over the years, leaving many to wonder if the band would ever release new music. Yet, like a locomotive charging ever forward (a sound Jim likens to their music), The Warlocks just keep coming back. Jim is excited by the group's newest album, Skull Worship, finding its drones and incessant rhythms utterly hypnotizing. And while he admits the Shoegaze sound doesn't break any new ground, he still thinks nobody is doing it better. Jim says Buy It. Greg is less impressed by the album, feeling that the pace is too slow. He admits there are moments of greatness (mainly towards the beginning of the album), but altogether Skull Worship isn't a complete success. Greg says Burn It.



Songs Featured in Show #418
Goose Island Credit Music: Pure Sunray, "Caramel," Pure Sunray, 2013
The Rolling Stones, “The Under Assistant West Coast Promotion Man,” Out of Our Heads, Decca, 1965
GoldieBlox, “Girls” (from “GoldieBlox & Rube Goldberg ‘Princess Machine’” video), online video, unreleased, 2013
Beastie Boys, “Girls,” License to Ill, Def Jam/Columbia, 1986
Santigold, “Disparate Youth” (from 2013 Honda advertisement), Master of My Make-Believe, Atlantic, 2012
Alex Clare, “Too Close,” The Lateness of the Hour, Island, 2011
Robbie Williams feat. Rufus Wainwright, “Swings Both Ways,” Swings Both Ways, Island/Universal, 2013
A Tribe Called Quest feat. Diamond D, Lord Jamar, and Sadat X, “Show Business,” The Low End Theory, Jive/RCA, 1991
Graham Parker and the Rumour, “Mercury Poisoning,” Squeezing Out Sparks, Arista, 1979
Public Enemy, “Caught, Can We Get a Witness?” It Takes a Nation of Millions to Hold Us Back, Def Jam/Columbia, 1988
The Buggles, “Video Killed the Radio Star,” The Age of Plastic, Island, 1980
John Fogerty, “Vanz Kant Danz,” Centerfield, Warner Bros., 1985
Aimee Mann, “Nothing Is Good Enough,” Bachelor No. 2 or, the Last Remains of the Dodo, SuperEgo, 2000
Patti Smith Group, “So You Want to Be (A Rock ‘n’ Roll Star),” Wave, Arista, 1979
Blackalicious, “Deception,” Nia, Mo’ Wax/Quannum Projects, 1999
Local H, “Laminate Man,” Pack Up the Cats, Island, 1998
The Sex Pistols, “E.M.I.,” Never Mind the Bollocks, Here’s the Sex Pistols, Virgin, 1977
Pink Floyd, “Have A Cigar,” Wish You Were Here, Columbia/CBS, 1975
The Warlocks, “Chameleon,” Skull Worship, Zap Banana, 2013
The Warlocks, “Dead Generation,” Skull Worship, Zap Banana, 2013
The Warlocks, “Silver & Plastic,” Skull Worship, Zap Banana, 2013
Damu the Fudgemunk, “Brooklyn Flower,” Brooklyn Flower (Single), Slice of Spice, 2010
ABBA, “Ring Ring,” Ring Ring, Polar, 1973
The Police, “Invisible Sun,” Ghost in the Machine, A&M, 1981
The Velvet Underground, “Rock and Roll,” Loaded, Cotillion, 1970
Lou Reed, “Intro/Sweet Jane,” Rock ‘n’ Roll Animal, RCA, 1974
Lou Reed, “Dirty Blvd.,” New York, Sire, 1989


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